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IUAES23_ABS_D6756
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A drawn (ethn)graphy of the uses and meanings attributed to wheeled instruments at an urban public space and surroundings
|
Joao Vitor Velame
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IUAES23_PAB_C6624_Session1
|
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IUAES23_ABS_F7240
|
Fishing Tradition in the Frame: A Portrait of the Hanji People.
|
Hashmat Habib
|
IUAES23_PAB_C6624_Session1
|
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IUAES23_ABS_C6542
|
Everyday life in a Gujjar Village: A Visual Representation
|
Sakib Marazi
|
IUAES23_PAB_C6624_Session1
|
|
IUAES23_ABS_V2419
|
Instagram, our new “reality” and contemporary pedagogic methods to investigate it
|
Mitoo Das
|
IUAES23_PAB_C6624_Session2
|
|
IUAES23_ABS_A1601
|
Visibilisation, creativity, and intersensoriality in the on/offline interface
|
Maruska Svasek
|
IUAES23_PAB_C6624_Session2
|
|
IUAES23_ABS_Y2412
|
Social Media as the New Ethnographic Field
|
Smarika Awasthi Sharma
|
IUAES23_PAB_C6624_Session2
|
|
IUAES23_ABS_P6569
|
The Narrative Practice of Folk Video Films——Taking "The Spring Festival in Eastern Henan in Huamo" as an example
|
Fengxia Zhang
|
IUAES23_PAB_C6624_Session3
|
|
IUAES23_ABS_B9040
|
Silent Storytelling: A Visual Narrative of Mime
|
Pradipta Roy, Parishimta Kashyap
|
IUAES23_PAB_C6624_Session3
|
|
IUAES23_ABS_X5972
|
Documentary Film Practices in India:
Digital Archives and Visual Anthropology
|
Mithila Biniwale
|
IUAES23_PAB_C6624_Session3
|
|
IUAES23_ABS_A5852
|
Embodiment and empowerment of Rebari Women through visual Representation.
|
Shruti Hiremath
|
IUAES23_PAB_C6624_Session3
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