Short Abstract
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In distinctive spaces such as borderland which is rife in conflict and contestations, how do merchants reproduce themselves culturally and socially? By engaging with this particular question, is it possible to unravel the underlying logic and strategies through which merchants belonging to the Marwari community imagine, experience and create their lifeworlds? If so, how are they different from prevailing dominant frames of understanding spatiality, mobility, notion of home and belonging?