Abstract Panel


Authors Information
SequenceTypeName TitleFirst NameLast NameDepartmentInstitute / Affiliation
1 Author Prof. RITESH RANJAN FINE ARTS CHANDIGARH UNIVERSITY
Abstract Information
TrackID
:
IUAES23_ABS_U4478
Abstract Theme
:
PT150 - Art and Asthetics: Identity, Representation and Market
Abstract Title
:
Creative Practices as Resistance and Response to Crises, Conflicts, and Violence: A Case Study of Kashmir
Short Abstract
:
Through an interdisciplinary approach that draws on literature, art history, cultural studies, and sociology, this research paper analyzes how creative practices, such as visual arts, literature, music, and performance, have been utilized as a form of resistance and response to the ongoing crisis in Kashmir. The paper explores how these practices serve as a means of survival, a form of protest, a tool for communication and representation, and a medium for documenting and preserving Kashmiri culture and heritage amidst conflict and violence.
Long Abstract
:

Kashmir, a region in South Asia, has been embroiled in a long-standing conflict between India and Pakistan, resulting in political, social, and cultural challenges for its inhabitants. In the face of such crises, conflicts, and violence, creative practices have emerged as a form of resistance and response among the people of Kashmir. This research paper explores the role of contemporary art practices in Kashmir as a means of resistance, expression, and survival in the midst of turmoil.

Drawing on an interdisciplinary approach that encompasses literature, art history, cultural studies, and sociology, this research paper examines how creative practices, including visual arts, literature, music, and performance, are employed by Kashmiri artists, writers, musicians, and performers as a form of resistance against oppressive structures, and as a response to the ongoing crisis in the region. Through a review of existing literature and analysis of contemporary art practices in Kashmir, this paper highlights the ways in which these practices challenge dominant narratives, subvert power dynamics, and provide alternative perspectives on the conflict.

The paper also delves into the complexities of cultural identity, memory, trauma, and agency within the context of creative practices in Kashmir. It explores how artists navigate their cultural heritage, memories of violence, and their agency to reclaim their identities and express their experiences through their works. The research also addresses the ways in which creative practices serve as a means of communication, documentation, and preservation of Kashmiri culture and heritage amidst conflict and violence.

Furthermore, the paper discusses the transformative power of creative practices in Kashmir, showcasing how they contribute to resilience, resistance, and response to the challenges faced by the people of the region. It also highlights the significance of these practices in providing a platform for dialogue, healing, and fostering connections within the local communities and beyond.

Abstract Keywords
:
Creative practices, resistance, Kashmir