|
IUAES23_ABS_A2638
|
A drawn (ethn)graphy of the uses and meanings attributed to wheeled instruments at an urban public space and surroundings
|
Joao Vitor Velame
|
|
|
IUAES23_ABS_Q2675
|
How Do Images of Intangible Cultural Heritage Write the "sense of tradition"——A Case Study of the Rescue Record Project of Representative Inheritor of Kam Grand Choirs
|
Dong Juan Gao
|
|
|
IUAES23_ABS_J8291
|
A look into the lives of Middle Eastern women in Yiwu
|
Di SHEN
|
|
|
IUAES23_ABS_T2033
|
Nambo/tupoe. How may long-term ilming in the Reef Islands help us understand climate and environmental changes?
|
Peter I Crawford
|
|
|
IUAES23_ABS_P7382
|
Unspoken/unspeakable. Sensory media, epistemic limits and ethnographic encounters.
|
Jan Lorenz
|
|
|
IUAES23_ABS_V2614
|
Video in Ethnography: Providing Continuity for Collaboration, Reflexivity and Knowledge Construction
|
Thanuja Mummidi
|
|
|
IUAES23_ABS_H5006
|
Picturing Rituals: Explorations of Film and Anthropology in Chinese Religion Research - A Goddess Trilogy "House of Goddesses: The Livings Need Light, The Goddesses Need Meat"
|
Gennie Zhang
|
|
|
IUAES23_ABS_U6387
|
Navigating deceiving images. Multimodal approaches to filmmaking.
|
Mihai Anndrei Leaha
|
|
|
IUAES23_ABS_T7220
|
The Contemporary Practice of Multi-Ethnic Art Integration and Chinese National Identity: The Multimodal Presentation of Ethnic Costume Research
|
Qiyao Deng
|
|
|
IUAES23_ABS_K6317
|
River and Songs: An Analysis of Multimodality Applications of the Film Project "The River in Me "
|
WEITING HSIAO, JIANJUN LEI
|
|
|
IUAES23_ABS_A5676
|
The Construction of Traditionally Ordered Spaces in Ancient Villages of South China under the Perspective of Multimodal Interaction
|
Yuanye Deng
|
|
|
IUAES23_ABS_O1235
|
Use of Visual Media in Disaster Studies- Indigenous Documentary Films from Eastern India
|
Sneha Krishnan, Nitesh Lohan
|
|
